Make Art Every Day!

2021 Artist Interview - Mary Lou Hamilton

Added on by Meredith S. K. Boas.

For our fifth interview of the 2021 Delaware Fun-A-Day, we talk to artist May Lou Hamilton about her watercolor paintings, past in-person Fun-A-Day shows, techniques with Gelli prints, and finding inspiration in various ways. Thanks, Mary Lou!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

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We like to know how people are connected to Delaware - are you a resident, born and raised? What opportunities have you found here? And how did you find Delaware Fun-A-Day?

Born and raised in Collingswood, NJ. Graduated from Collingswood High School in 1960 and immediately went to the U of Delaware  in the College of Nursing. Completed the nursing degree, worked at St. Francis Hospital (Wilmington), then went back and completed my Masters in Nursing as a Clinical Specialist  at UD. Assistant professor in the nursing program , clinical specialist in psychiatric  nursing at St. Francis again, then Delaware Tech Community College as a full time nursing faculty member.  Total time in nursing education and practice ...47 years. I had some prior interest and experience in art in high school(yearbook committee) and various "art and craft tasks" during my nursing career where I taught a variety of crafts and art projects to faculty and students. Preference was for sketching and watercolor painting.

I always wanted to be a medical illustrator and followed Frank Netter's work. But, with the age of computerization, handmade drawings were no longer prized or needed. I took several courses in watercolor in Haddonfield, NJ during high school years.  As an undergrad in Nursing, I took an elective painting class in acrylics where I had to stretch my own canvases....very large, the size of a window or door. This was quite a challenge just in transporting them back and forth to the easel at U of D. During nursing practice years, I became interested in Art Therapy and learned at Sheppard Pratt in Baltimore.

Later I taught a nursing class elective  at the U of D in Expressive Arts Therapy. At retirement, I began attending Osher Lifelong Learning Institute  in Wilmington (UD) and taking all the art classes I could including history, pastels, watercolor, oil painting , mixed media ,and acrylic painting. Loved each medium but now I am currently working in mixed media and collage and watercolor. While at Osher, someone brought in a brochure for Fun-A-Day. As a teacher for the acrylic painting class, I got several students to enter including myself. Have been entering projects at DFAD since then. Most of the  art shows I have entered at galleries have been as a result of my experience with Delaware Foundation for the Visual arts (DFVA), Newark Arts Alliance , Hardcastle  and Station Galleries in Wilmington.

This is going to be your FIFTH year participating! Can you tell us a favorite memory that you’ve experienced throughout your DEFAD career? Are you excited or anxious about the virtual format this year?

I have enjoyed each year at DFAD and been especially interested in the variety of entries and levels of skill. My favorite experience was at the Riverfront, the year I had a whole table to myself and presented 31 paintings in frames of different watercolors. Great location and I saw much interest in the entire show. The virtual experience is a bit different this year  but we did this with DFVA ( Delaware Foundation for the Visual Arts) in November, 2020 and it was a great way to encourage sales.

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Your work is detailed and intricate and you work with a variety of tools, techniques, and mediums. How has your style evolved over time? Where did your artistic journey begin and where do you think it’s headed?

I tend to work small because in all honesty, I do not have room in my home for larger works.  Many of my instructors encouraged me to paint "BIG" but I just didn't. There are paintings, many framed, all over the house in stacks and since I have a small home, it is hard to find a place to store them. Drives my hubby crazy because I have also taken over his man cave and garage, too. So I am presently into tiny works of art. This limits me to pen and ink ,gouache and watercolor as mediums, I also am a member of the Sunshine Plein Air Artists and do watercolor and pen and ink wash at that venue. Still taking a class at Osher in Abstract painting, most of that work is done on 11 x 14  canvas board or smaller because we just post our completed class work online. I am liking abstraction and find it works well with my current love of collage using a gelli print process.

Please describe your 2021 project "Pears". Is this your favorite fruit or does the pear hold a deeper significance for you?

The pears collection developed after a watercolor class with Sarah Yeoman where she taught the technique in the photo above. She painted red pears. I made mine green (above). I always liked the way the reflections turned out in this painting. And I love to eat pears. My entrances are on a 3 x 3 paper tile using a variety of media, Mostly gouache, watercolor and collage. Each is backed with a pretty paper and currently in a box to pick up individually.

As a veteran Delaware Fun-A-Day participant and professional artist what advice can you give our newcomers? Is there any piece of advice that you believe would be a top priority for rookies to take a hold of?

Advice to beginners:  Come up with a topic and then explore different ways to attack that idea artistically. Something as simple as a piece of fruit or a flower can be an inspiration. I love spring and summer and autumn  for color inspiration. I am constantly looking down at the ground (now that I have to so I can  avoid falling and I don't stand as straight as I used to in younger years). Down there are many interesting  ideas to inspire paintings and sketching. leaves, rocks, feathers, stones, textures, etc. I also love to look up. Clouds are magnificent and have been particularly beautiful this past year. Sunsets and sunrises....glorious! Then, practice, practice, practice. Make this practice a daily ritual if  you can. Just keep trying. Everyone can draw/paint. I always hear from others who think that they are less artistically inclined "I can't even draw a straight line". Well neither can I without a ruler. You don't need to draw a straight line to be an artist, EVER.

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In your 2019 Delaware Fun-A-Day project  entitled “Doors on Gelli Plate Backgrounds” your project was stunning and featured colorful and detailed front doors and entryways. Were these doors real or imagined? Were they inspired by real places you visited or were they sent to you from people you know? Tell us the story behind the doors and which one is your favorite.

"Doors" The inspiration for this project came from a poster that I cut up and framed in different sizes and placed it in my home. The poster was "The Doors of Dublin"(Ireland) and I got it when we traveled to visit relatives in that beautiful country. I have always been attracted to windows and doors and Dublin had so many beautiful ones. I took lots of photos there and used many of them as inspiration for my mixed media project that I submitted for DFAD. Also, I had been experimenting with a gelli plate and made a variety of painted papers with it that had colors that influenced the water color doors I painted and collaged to them. I don't have a favorite but probably the more intricate ones, I liked best. I have sold many of them so don't have the originals any more.

What becomes of your Delaware Fun-A-Day projects once the exhibit has ended? Do you continue exhibiting your project in other shows or keep it as a personal art piece? Your 2020 project ‘Tags on Gelli Prints’ could have stayed as one cohesive piece or been broken down into several parts - but what happens to your fabulous projects?

"Tags" on gelli prints. Continuing this journey of hand painted papers, I get excited whenever I use my gelli press. I love the freedom of color mixing that occurs with this printing process. You never can duplicate the results a second time. The process is very intuitive and exciting if you love color as I do. The use of all the acrylic paints I have collected over the years seems to justify making more and more papers which I  then cut up and collage to something.(Often a small item like the "pear" tiles or the luggage "tags".) I also do larger works (up to 11 x 14).Again, I have sold many of these tags and people use them however they want. They could actually be luggage tags with a little more preservation such as a plastic sleeve or varnishing  to add more stability or texture. The rest of the collection stays stored somewhere in my home, thus adding to the space-taking of my art. I need a studio the size of an airport hanger, but then, I would probably fill that up, too.

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For those of us that aren’t familiar with it - can you tell us what the ‘Gelli Print’ material is? How do you work with this material?

The gelli press is a soft gelatin item that  comes in a variety of sizes. It can be purchased on Amazon.com or from GelliArts.com (and most art stores, now). It comes in small to large sizes. The most common size is 8 x 10 and can be a good first purchase. There are recipes on line to make yourself using gelatin, glycerin and water. On it you place color (usually acrylic) although you can use pastels, watercolor and a variety of inks (alcohol or acrylic). You then use a brayer to smooth out the color. You can add stencils (purchased or handmade),found objects, comb scratches ,bubble wrap, cardboard that has been torn so the lines show, the wheels of children's cars ,the bottoms of your sneakers, kitchen tools, and many other items that can make an impression on the plate....carefully so you don't scratch it.

Then, you layer more color on the plate and take a print with plain paper (computer paper works great) or tissue paper or deli wrap paper , an old phone book page, junk mail or a sheet of music. The whole idea is to add layer upon layer of thinly brayered paint, letting each dry before adding another. The possibilities are endless. There are numerous instructions on  you tube for gelli printing and some of them are marvelous for ideas. One goes down the rabbit hole when viewing them as you can spend your entire life just watching youtube. I just love to see daily videos of these examples and constantly get new ideas from them.

Do you participate in Delaware Fun-A-Day alongside any artist friends or do you participate as a solo artist?

I started Fun-A-Day with class students and friends from OLLI (Osher Lifelong Learning Institute). Once COVID hit, we dispersed in class activities and most of these folks dropped out. This year, I do not think many are participating.

Where can people see more of your work?

At present, my only site for most of my work is on Facebook (mllhjustmyart) and under MaryLouArtmaker. I do not yet have a website but need to construct one someday. I will need help with this, however. No present shows are in the immediate future.

2021 Artist Interview - Sean McGonegal

Added on by Meredith S. K. Boas.

For our fourth interview of the 2021 Delaware Fun-A-Day, we talk to artist and avid cyclist Sean McGonegal about his flower still life drawings, the Urban Bike Project, and coffee shops. Thanks, Sean!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

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We like to know how people are connected to Delaware - are you a resident, born and raised? What opportunities have you found here?

I was born and raised in Bellefonte and am a lifelong Delawarean. I’ve found many opportunities here - work, recreation, creative outlets. Delaware packs a lot in a little space. I’m currently working as Program Coordinator for Urban Bike Project, a non-profit community bike shop where I enjoy supporting the Wilmington cycling community.

This is going to be your FIFTH year participating! Can you describe your favorite past Fun-A-Day project?

The first was probably my favorite. I had recently started drawing again after a long break and I was really energized by the challenge of completing something each day.

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Your first Delaware Fun a Day Exhibit was known as “Flower Still Life” and was the project that kicked off this amazing five year streak of consecutive exhibits you’ve participated in. When recalling your first exhibit, what was it that made you excited to try out this event and what continued to bring you back annually?

I was initially intrigued by the idea of drawing daily as a way to improve my drawing skill. After enjoying the experience so thoroughly, I was definitely looking forward to doing it again. The biggest challenge for me is finding the time each day, but I find it very rewarding.

Please describe your 2021 project "Get Your Greens".

Since the coffee shop where I’ve found my drawing subjects in the past is now take out only, I’m going outside when I can to find plants and flowers for my drawings.

As a well-seasoned Delaware Fun-A-Day participant, what advice can you give our newcomers? Is there any piece of advice that you believe would be a top priority for rookies to take a hold of?

Remember that it’s for fun!

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We see from your Instagram account that you also have an abiding interest in bicycles and cycling. This must afford you many opportunities to meet other people and be in nature. How has this interest worked as an inspirational tool in your artwork? Can you describe some of your favorite memories from the past year?

Cycling certainly does get me out and about. My work with Urban Bike Project has introduced me to many new people and deepened my connection to the community. 2020 was an incredible year for UBP. Our Free Bike and Compensated Usage programs helped a record number of Delawareans in need of reliable, affordable transportation and continues to help those riders keep their bikes safe and functional. We provided affordable bike repairs when local shops were overwhelmed by demand and hamstrung by new parts shortages. We also saw a 300% increase in sales of refurbished bikes to fund our programs. Being able to work through the pandemic and provide support for so many residents of the city I call home is by far my favorite memory of 2020.

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DEFAD 2021 will be the first time the exhibit will be fully displayed virtually. As an artist participating in the event this year, what do you have to change when it comes to creating your exhibit (art style, delivery, medium, emotions, etc.)

I haven’t really had to change much, other than going out to find my subjects.

Your 2020 Delaware Fun a Day project was titled “Coffee Shop Sketches”. As a fun question, can you tell us what your overall favorite coffee and coffee shop is  and how these elements fused together to inspire last year’s project?

I’m an espresso devotee, and BrewHaHa in Trolley Square has been my go to cafe since I moved into the city. They had lovely flower decorations and fresh flower arrangements that were frequently changing so there was always something new to draw. The atmosphere there was perfect for relaxing and creating.

Where can people see more of your work?

I’ve posted some work on my Instagram account, @mcgone while participating in other drawing challenges.

2021 Artist Interview - Chris Enty

Added on by Meredith S. K. Boas.

For our third interview of the 2021 Delaware Fun-A-Day, we talk to artist Chris Enty about his DART transportation inspired portrait drawings, interacting with art subjects, public transportation, and managing time to create. Thanks, Chris!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

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We like to know how people are connected to Delaware - are you a resident, born and raised? What opportunities have you found here?

I moved to Wilmington near the end of the Summer in 2018. I’m originally from Reisterstown MD. A small town outside of Baltimore. Before that I lived in the West Philadelphia/University City area. I really enjoy the size of Wilmington. With such a small city it didn't take long for me to become a part of the Artist community here.

This is going to be your THIRD year participating! Can you tell us a favorite memory that you’ve experienced throughout your DEFAD career?

I think the best experience is seeing the results of everyone's hard work. With no limitations on medium, It's always so interesting to see what people come up with. It's also really cool to see how much projects change/improve from Day 1-28(31).

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Please describe your 2021 project "DARTLIFE PT3".

When I first moved to Delaware I got a job at Jerry’s Artarama in Newark. I live in Trolley Square, so my commute to work was about an hour plus. For nearly that entire hour I would sit on the bus and draw people during my commute. Leaving me with a sketchbook full of quick portraits and silly cartoons about my experiences on the bus. DARTLIFE the title started out as a hashtag. A way to group all my commute related artwork. It evolved into a way for me to fuse my cartooning and Portraits. DARTLIFE PT3 is simply the third version of this style. Every year I learn new things that change my drawing style. You may see some of the same portraits from part one or two drawn in a completely different way.

As a well-seasoned Delaware Fun-A-Day participant, what advice can you give our newcomers? Is there any piece of advice that you believe would be a top priority for rookies to take a hold of?

I would say the hardest thing for me would be time management. Draw a little bit each day. Work on multiple pieces at a time. This will keep you from having to make that long sprint to the finish line near the end of the month. I usually start drawing another portrait while my ink is drying.

What initially sparked the interest in creating a series of art through your daily travels on your DART public transportation routes?

I’ve been drawing on public transportation since I was a kid. I drew people on my commute when I lived in Philly. I used to label those portraits “SEPT-US.” I’m pretty sure there’s still a few on my Instagram profile. I have boxes and boxes of sketchbooks. I’ve always admired how classic painters would create these amazing paintings or studies from their own work. I guess this was my attempt at imitating those guys. Like I mentioned before I also wanted to find a way to merge the different styles of art I create. It’s so cool to see how different my portraits look each year.

Earth Day will be here on April 22nd. Do you think that more Delawareans in particular should consider public transportation so that as a collective we leave less of an ecologically damaging footprint on the state?

Before Covid Yes. Now not so much...You can't pay me to ride the bus now.

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We follow you on your Instagram @CNTBg2. The different perspectives and angles you get of other travelers feels very candid. Are your subjects ever aware of your drawing them? Have you ever had an interaction with someone while drawing them? Tell us about your favorite or least favorite experience.

I think there's a certain rhythm you get when you draw people candidly. It comes from having to work fast. When people pose they tend to be sort of stiff. I The drawing does not flow as much. This is not to say I don't enjoy working with models. A great model can mimic that rhythm but it's still not the same. You may only get 10 seconds to draw a person on the bus. You have to be extremely fast. After 30 plus years I would say I'm getting there. I’ve never even thought of asking for permission. Naturally I've had both good and bad experiences. I would say my most memorable experience was in Baltimore when I was a kid, I had a guy come up to me and ask if I worked for the police. Which was completely ridiculous cause I was about eleven at the time.

Do you feel more inspired by people watching or more inspired by the anonymity that drawing in a public setting gives you as an artist?

Honestly I never really thought about it. It just started as a way to pass the time. Then it became a sort of nervous habit. It's just something I do. Whether people watch or not doesn't really matter. I'm going to draw either way. It didn't really become a thing until I got really fast. I guess drawing a portrait in under a minute is sort of impressive. I’m more inspired by an interesting nose or hairstyle.

The DART public transportation system hasn’t always been given praise or love, but so many Delawareans rely on it to get to where they need to go. As a regular DART user, talk to us about how it has become this amazing source of inspiration for your Delaware Fun-A-Day projects.

You meet so many people on the bus from all different walks of life. You hear so many things. I don't ride the bus anymore, but I definitely miss meeting and drawing interesting people.

Do you exhibit in other shows or participate in other events throughout the year?

I usually do Talleyville’s Big Little Art Show. I believe it got cancelled this year. That’s another fun show with a smaller format. I definitely recommend that show. Met a lot of cool people there. I have another show in the works but no solid dates yet.

Where can people see more of your work or connect with you?

You can check me out or contact me on my Instagram. It's also where I put daily sketches and snippets. I usually rotate the images often so it stays fresh. Check out my blog enty123.blogspot.com for older and more finished stuff like comics and longer drawings.

Anything else you’d like to share?

Time is the only thing you can't get back. Don't apologize for being you. Spread Love. Make Art. Be Awesome. Wear a Mask. Wash your Hands.

2021 Artist Interview - Laxmi Verma

Added on by Meredith S. K. Boas.

For our second interview of the 2021 Delaware Fun-A-Day, we talk to India born and now Delaware-based artisan Laxmi Verma about polymer clay, social media, cultural influences, color, and recycling. Thanks, Laxmi!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

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In December of 2015 you moved from India to the USA with your husband. You’ve also participated in Delaware Fun-A-Day every year since 2017 making this your FIFTH year participating with us! Is Delaware Fun-A-Day one of the first art projects / exhibits that you put your work into since coming to the USA? Tell us about your initial reaction to the show.

Yes, one of the initial ones. I participated in a couple of exhibitions before that like Art league, Houston and San Francisco School of Needlework & Design.

2017 is the year when I first participated in DFAD. It was the year when we moved back to the east coast from Texas. I used to religiously follow all the local art institutions and events, that's how I got to know about DFAD. 

So it was to my delight, that I can participate in a physical art event wherein I can see other amazing local artists and be a part of the local art scene. The best part was that it was free (still is :)) and easy to enter for any age or skill group. I procrastinate, so it was the perfect opportunity for me to work on a project, based on the deadline and will have a collection at the end of the month.

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You share a lot about your culture on your Instagram @hornpleasestudio and how it influences your work and your brand. Can you tell us more about this and elaborate for the readers of this interview?

I was born and brought up in India. India as a country is culturally very rich and colorful. My culture has moulded me into the artist, I am today. My brand name HORN PLEASE is derived from a regional artform called the Truck art. My design sensibilities and the wide palette of bright colours is very synonymous to Indian culture as well.  

I belong to a community of jewelers who are involved in the making of traditional jewelry. Since childhood I have seen my father and my uncles flourishing in the jewelry business. I still remember those seldom visits to my father’s workplace. Such busy ambiance, congested lanes, metallic sound and chaos all over the place, such activities shaped my identity. 

I have lived, studied and worked in various parts of India hence imbibed different subcultures that has definitely added to my understanding of cultural connotations and elements of folk art.

It’s obvious that you’ve put quality time not only into your artistry but into your social media presence as well. Your social media is eye-catching, engaging, organized, and updated regularly. So many artists are creating great work but they’re struggling to take the time to market themselves and their creations. Do you have any tips you’d like to share with other participants when it comes to representing yourself as an artist online?

In this day and age where everything is visually available. It is important for people from a creative background to adapt to thrive. Since our medium is so visual it is important that we pay equal importance to market or share our ideas or our work. 

The key is Consistency, do not fall in the game of numbers but the quality of followers which will turn into your raving fans over time and a huge source of encouragement.

I like to document processes and try to share behind the scene in bits and pieces with my audience to keep them engaged. I also taught myself to be better at many other things like managing social media, content creation, aspects of photography, editing pictures and to be consistent in my work and in my online presence.

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You’ve described the various artistic mediums that you’ve tried your hand at including watercolor, gouache, embroidery, pattern making, and illustrations - but you’ve finally found your calling working with polymer clay as a textile designer. What can you tell us about the medium and how do you know you’ve finally found your calling as an artist?

I am a very distracted soul as an artist, I like to try my hands on any new skill or medium that interests me. And I am sure Polymer clay will not be the last, lol. But I stayed interested in the medium, consistently for a good span of time without getting bored or lacking ideas. I love how diverse this medium is, how sturdy the final product is. 

As a textile designer I have this innate need to create surfaces. And Polymer Clay has proved a great medium to help me transport my ideas into a tangible surface. And the best part is I can do it all myself, from the conceptualisation phase to the final product stage.

As an artist I don't like to limit myself, so for this year's DFAD, I have challenged myself to create earrings using textile bits. So my product will be the same but my medium will be different.

How important do you think reusing and recycling materials is for artists? What creative ways have you found to use old materials in new projects?

It's a great question, I believe that it's important for artists to be environmentally conscious. One of the biggest reasons why I want to find a more sustainable medium than polymer clay since Polymer clay is a form of vinyl. 

I started venturing into leftover textile bits which I source from various means like from the scrap pieces from past projects or from my local seamstress/ tailor. From discarded clothes or home decor textiles, rubber gloves etc. 

I don’t use the ideology of recycling just in my work but also in my day today life. Like repurposing old furniture that I usually spot Online or in flea markets. Making rag dolls from old clothes etc. 

I would say being environmentally responsible is not just a practise but a way of life.

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Your work is so vibrant and colorful and you seem to use the whole rainbow as your palette, but, in your opinion - what is the most powerful and impactful color that you use? Does it have any other significance in your life or culture?

In the words of Keith Smith, internationally recognized color expert- “The symbolism of color stands out and controls every aspect of life in India, be it religion, politics, festivals, or celebrations”. 

I feel so blessed when people recognise me for my colors because colors definitely have a very strong effect on me, not just workwise but psychologically too. 

Even my living space, the way I dress, my workspace, my brand image has a burst of color and Indian traditional touch in some or the other way. 

In my culture, spices are of great importance and one of those spices is TURMERIC. It is not just a spice but is of medicinal importance as well. 

Yellow symbolizes sanctity and is an essential herbal ingredient applied on the body and face by women in the subcontinent. It is also a traditional colouring agent as well.  

I strongly relate to the color YELLOW, I believe it rejuvenates me and nurtures my soul just like a strong beam of sunlight. It is refreshing and stands out boldly to register its presence.

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Congratulations on your honorable mention in the Delaware State Employee Art Exhibition this year for your work ‘Saga of Krishna’ in the Adult Intermediate category. Your work is stunning and the time you took to create this intricate work was inspiring. Please tell us about Krishna and the meaning behind this work.

Thank you so much for taking the time out to reflect on different aspects of my life. I am over the moon for being recognised for my work and I feel so grateful to be able to create something as divine.

It definitely took me a great deal of patience and time to complete the painting. But it is all worth it, in the end. Its divine presence brings so much positivity around my house. 

Presently, the painting is on display at the winners exhibition at The Delaware State University until 17th of March 21’.

My Painting depicts Lord Krishna with Gopis and holy cows. Krishna is one of the most widely revered Indian divinities, worshipped as the eighth incarnation (avatar, or avatara) of the Hindu god Vishnu. 

The cowherd Krishna became renowned as a lover, the sound of his flute prompting the gopis (wives and daughters of the cowherds) to leave their homes to dance ecstatically with him in the moonlight.  

The style of painting I have used is called Pichwai, it originated over 400 years ago, in Rajasthan, India. Traditionally pichwai paintings were made on cloth to depict tales from Lord Krishna's life. 

The word Pichwai comes from 'pichh' meaning back, and 'wai', meaning textile hanging. 

Originally, pichwai paintings were used to decorate the temple and hung behind the deity to celebrate different seasons, festivals and events in Lord Krishna's life. And also to educate the illiterate. 

We greatly admire your dedication to your craft. As a working full-time artist, wife, and mother to a young daughter how do you find ways to make the time commitment for projects like Delaware Fun-A-Day? Do you have any practical advice for other full-time creators who may have other full-time responsibilities like parenting?

Thank you! Believe me I don’t have my act together like other busy mummas and artists with day jobs. I am passionate about my work and I love to create so I make sure to find time for myself to maintain my sanity. 

Raising a kid is a full time job in itself so I have great respect for mummas who try to juggle between work, their passion and their families.

My craft is my holy grail so I try to cover everything else before dinner and after my husband takes my kid to bed. I get a couple of hours in a stretch and it may spill over to the wee hours of the night. But if i am in that zone i will go ahead with it. So we have to put ourselves in our own priority list. 

But the cooperation from the spouse or family members are equally important.

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Are you part of any arts organizations in the state of Delaware?

So I started my journey in the USA with The Delaware contemporary as an Education intern in 2016. And then moved to Texas for a couple of years until I moved back to the east coast in 2017. And then I had my daughter in 2018 so I have been her full time caregiver since then. Early last year, I started venturing into having my own side hustle HORN PLEASE STUDIO. 

I have had my holiday market in 2020 with the center for the creative Arts.

I have few options and offers with some local art centers and museums and I am looking into pursuing that as soon as the summer/ Fall of 2021.

As a veteran Fun-A-Day participant who has participated in four of our physical art shows - how do you feel about the virtual format for this year? What do you think will be the positives and negatives for this year?

Well, I am very excited this year since I have travel plans and the best part is that I don’t have to be physically available to participate in the final show. So I can create irrespective of location and time zones and can still continue my journey with DFAD. 

So people can now participate from any part of the world and we will have the opportunity to witness a more diverse plethora of artists. 

One thing I would miss is to interact with people and indulge in interesting conversation with other artists. It feels so overwhelming to be the part of the opening reception, entertain the audience queries, their feedback and their appreciation. 

Lastly, where can people see more of your work?

I can be found on instagram at:
https://www.instagram.com/hornpleasestudio/

People can also see my early work at:
https://www.behance.net/lcki

Anything else you’d like to share?

Lastly, I like to share my future endeavour, wherein I envision being a teaching artist and in the process share about my culture and its craft. And I would continue to explore my jewelry making techniques and materials and grow my hustle into a full time business. 

2021 Artist Interview - Sharon Brubaker

Added on by Meredith S. K. Boas.

For our first interview of the 2021 Delaware Fun-A-Day, we talk to Maryland author and mixed media artist Sharon Brubaker about seaglass, concretions, books, the Green Man series, and Celtic inspirations. Thanks, Sharon!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

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We like to know how people are connected to Delaware Fun a Day - are you a resident, born and raised? What opportunities have you found being in the exhibit?

I am not a Delaware resident but have worked in Delaware for over thirty years. Being part of Delaware Fun-a-Day has permitted a tribe of creatives from the tri-state area to come together to celebrate creativity and fun.

For those folks not familiar with neighboring Cecil County (in Maryland directly next to New Castle County, Delaware), would you like to tell them a little about the area and how it served as the backdrop for your Green Man Series of novels? Do you have any ‘travel’ tips you can give folks who want to ‘explore’ the area?

When I was looking for a home, I fell head over heels in love with Cecil County, Maryland. In tootling around, discovering the area, I stumbled on the location I dreamed of for the Green Man series setting along the shores of the Northern Chesapeake. Many local spots are featured in the book series. I have a fantastic map of each book created by the talented Meredith Boas! After a conversation about my passion for visiting the settings of various books, Meredith said she could create a map for my books. I was thrilled!

The maps are included in the books for sale at The Palette and the Page in Elkton, Maryland, and at Kathy’s Corner in North East, Maryland, or by contacting me at sharon@sharon-brubaker.com. When you read the book, you can visit several settings using the map and referring to small portions of text in the book. It’s so much fun to have dinner where the characters had dinner or visit where they ‘walked’ in the novels.

This is going to be your FOURTH year participating in Delaware Fun-A-Day! And while you’re an incredible local author, you’re also an artist who works in several mediums and has completed a different type of project each year. Can you describe your favorite past Fun-A-Day project?

I view Fun-a-Day as a challenge to help me learn a new skill in jewelry design or another art form. Delaware Fun-a-Day provides a structure to explore, learn, and have fun doing so. I can’t choose a favorite…yet…maybe in another ten years. This year’s project of little art dolls for the garden is definitely a stretch for me!

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For your 2020 project, you created jewelry in the form of bracelets, pendants, and necklaces. You also used different materials on top of the copper, such as Inktense, Prisma Color, and Black Gesso. What can you tell us about these materials? Were they successful in getting you the outcome you hoped for?

As a jewelry artisan, I am fascinated with color on metal. Deb Karash is an artist I follow for Prismacolor on Copper, and I was fortunate to take a class with Roxan O’Brien, who uses a similar technique. Although I love using Prismacolor pencils on metal, I wanted to experiment with Derwent’s Inktense pencils. They are an amazing medium that can be used to dye the material you are working on, but they can also be used well in layering, like in a watercolor painting. Exploring using these mediums was challenging and fun. I have incorporated sea glass in the majority of designs that I cull from Chesapeake area beaches.

You’re an avid sea glasser, and you regularly search for and find beautiful sea glass in the Chesapeake Bay. You also incorporate this sea glass into your jewelry work. Can you give us any tips on searching for sea glass? Or are you just really lucky?!

I wish I was lucky at finding sea glass! It’s definitely a treasure hunt. Our glass on the Northern Chesapeake is relatively young. It takes 20-50 years or more to get a well sanded ‘gem’ of sea glass. Tips? Go at low tide, be persistent, explore many areas. The Chesapeake Bay has hundreds of miles of coves and coastlines to explore. When you get a chance, (post-COVID) visit sea glass festivals in the area to speak with the experts. There are a multitude of sea glass groups around the world on social media.

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Tell us about your latest novel in progress, ‘Tides of Blue’ and how sea glass served as your main inspiration and focal point for the story.

Each shard of sea glass is a story.  It came from somewhere. It belonged to someone. Somehow, it ended up on the beach where you found it.  What if you could trace back the shard to the original vessel? What story or stories does it hold?  That was my impetus for the sea glass once I picked up a piece of coveted cobalt blue.  I wondered where it came from.  I traced it to a type of poison bottle from the 19th century.

My imagination went crazy.  What if someone had been poisoned by the contents of the bottle and the bottle thrown into the bay? What happened when it broke up? Who picked up the shards? What was their story? I used my curiosity and imagination to come up with a tale of sea glass shards and their stories.

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Less known than sea glass are the mysterious tube concretions that you find in the bay. What would you like to share about these naturally formed objects, and how have you used them in your works?

Ahh…tubular concretions!  They are a really, really cool rock formation that I find on a nearby beach.  My good friend collects them and gifts me pieces that are appropriate for jewelry.  The rock tubes, spheres, and bowl-shaped pieces on the Chesapeake Bay date back to the late Cretaceous era.  So… these rocks were being formed when dinosaurs roamed the earth! I use them to create edgy, organic pieces of jewelry.

As an independent author and novelist, you also maintain a blog as a place for research, thoughts, and discussion with readers. While generally focused on the Green Man figure from ancient folklore who inspires your novels, you also regularly talk about other areas of interest such as Celtic cultures, sea glass, selkies, spirituality, and of course, writing. Tell us more about your blog and how folks can connect with you and stay up to date about your various writing projects and novels in progress.

My blog can be found on my website at www.sharon-brubaker.com.  I began the blog as a repository of information about the Green Man.  The more I researched, the more I learned that he was a universal archetype. It helped, too, when people asked me questions about the Green Man.  Since I have always been fascinated with myth, folklore, and archetypal figures, my interests spill over to the blog and my writing.   The blog directly links with projects that I am working on and a place for me to revisit for my research.  The blog also provides information for readers and aficionados of the Green Man for brief articles and information.

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In the Green Man book series, what is it about the Green Man in particular that draws you in? And since the Green Man appears in different forms throughout the seasons - do you think he’ll inspire your 2021 Delaware Fun-A-Day project ‘Signs of Spring’?

I have been fascinated by the Green Man since dreaming about him as an adolescent. I learned that he was a ‘real’ figure/archetype in my twenties and sought any and all information on him since that time. I knew long ago that he would be a character in some sort of novel. The Green Man represents birth, death, and rebirth in many cultures. Yes, I think he’ll be influencing me as Spring begins to burgeon this month.

March 20th is the first day of Spring - so we have to know - what are you planning to plant in your garden this season? AND if you could be any flower - what flower do you think you’d be?

Well…I am a plant-a-holic.  I love playing in the dirt and creating gardens.  This year I am focusing on a woodland garden area and the border to a labyrinth built with my son and a dear friend.  I’m seeking to create a collection of Hellebores (Lenten Roses), Brunnera, fern, and to naturalize with snowdrops in the fall.  I’ve been looking at tea plants – Camellia sinensis.  Luck with growing them in this area is on the sketchy side.  We’ll see.  I am also looking out for brightly colored annuals and perennials for a small garden that I share with a neighbor.  I will have vegetables and herbs in containers due to the huge deer population in the area.  March is the time to plant cold-weather crops such as lettuce, arugula, spinach, turnips, and radishes.  Homegrown salad will feature at my house in late April and early May.

If I could be a flower, hmm, that is a tough one.  I have a long-standing love affair with herbs.  Rosemary and Lavender are two of my favorites. I am also in love with hellebores.  They bloom in late winter and hold their flowers until summer. I love the stages of the floral growth in this evergreen plant.

Lastly, where can people see more of your work?

Go to my website – www.sharon-brubaker.com for more information. Locally, my books are available at The Palette and the Page in Elkton, Maryland, and Kathy’s Corner Gifts in North East, Maryland. They are also available at amazon.com

2020 Artist Interview - The Givens Family

Added on by Meredith S. K. Boas.

For our seventh interview of the 2020 Delaware Fun-A-Day, we talk to five members of the Givens Family: Brian, Kim, Katie, Jon, and Laura about their combined 7 years of participation with us, creating works as a family, the power of art for children, and cosplay. Thanks, Givens Family!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

Left to Right: Brian, Katie, Kim, Laura (in front), Jon

Left to Right: Brian, Katie, Kim, Laura (in front), Jon

Over the past 7 years we’ve had 5 members of the Givens Family participate in Delaware Fun-A-Day. It all started with Brian Givens, who in 2014 was the first Givens family member to participate with us. So Brian, this is your SIXTH year participating with us, how did you learn about Delaware Fun-A-Day? What drew you to our event?

Brian: I think I saw it mentioned on Facebook, perhaps by Carol Maurer. I had only recently started thinking of myself as an artist who could exhibit pieces in shows and Fun a day looked like a great opportunity to do that again. Also, I recognize the value in creating under constraints and I thought that the need to create art quickly and repeatedly would be fun and fruitful. I chose to draw the same object (that I designed and 3-D printed) every day for the month. I thought it would improve my drawing skill (though in the end I don’t think it made much difference).

Brian’s First Fun a Day project (2014)

Brian’s First Fun a Day project (2014)

Brian, how did you motivate or inspire other members of your family to participate in our event? Do you feel that over the years, it was your family that kept you coming back each year, or are you still the main motivator?

Brian: I think they all decided to participate because I dragged them to the shows every year! Also, I encouraged them to join every year and I think they saw that people from all kinds of backgrounds (including other kids) and using all sorts of media were participating in the shows.

In terms of motivation, I’m definitely self-motivated to continue participating. My initial impression that this sort of project would be fruitful and valuable to my growth as an artist has been born out every year. This holds true for Kim as well, she is enthusiastic about participating every year and has become a huge evangelist for Fun a Day, especially at her school.

We like to know how people are connected to Delaware Fun a Day -  are the Givens Delaware residents, born and raised? What opportunities have Givens family members found by being in this exhibit?

Brian: All of the Givens are Delaware born and raised. In terms of opportunities from Fun A Day, I have found inspiration for further pieces from some of my Fun a day projects. One of the benefits of Fun a Day I didn’t anticipate was that it has led to discoveries that I have been able to carry into more work.

 Kim:  We have met so many amazing artists through this experience.  They have introduced us to new art forms, encouraged us to continue and expand our own artistic endeavors, and become good friends. 

Participating members of the Givens Family have been: Brian, Kimberly, Jon, Katie, and Laura. What is the family dynamic? Who is who in relation to each other?

Our Family:

  • Brian - Father

  • Kim - Mother

  • Joe - older brother (we haven’t convinced him to participate yet), 22

  • Katie - older sister, 16

  • Jon - younger brother, 13

  • Laura - younger sister, 8

Can each of you describe your favorite memory from your Fun A Day experiences?

  • Brian: In terms of the creation process, I really enjoyed the unexpected results I got with my 2018 project, where I painted and sanded wood. I had developed that technique for a previous piece and at that time the results were totally different than how I had anticipated. When I dug into it with the multiple pieces for Fun a Day, I was pleasantly surprised again with the different results it let me achieve.

  • Kim: I look forward to seeing the art from the other artists. I walk from one exhibit to the next and am constantly impressed at the talent and imagination of the people living in our community. It inspires me to think about my own art and encourages me to take risks and push myself, knowing that in the end I will be surrounded by talented people who enjoy sharing their art as much as I enjoy sharing mine.

  • Jon: Deciding what weird things to put on the big snake picture (from 2016 project)

  • Katie: Using creative problem solving skills to figure out how to present my project.

  • Laura: Seeing one of my teachers at the show!

Kim, you also are participating in your SIXTH year of Delaware Fun a Day, but it looks like in 2017 you were the only Givens family member who participated that year, and your project was called “HappiNest”. Tell us about that year: What was your project about? And how was it being on your own that year? Do you feel like Fun-A-Day was more enjoyable with your family, or was it nice flying solo?

HappiNest was a series of fabric baskets that would nest together.  I wanted to learn how changing the starting fabric dimensions would change the size of the final product.  To add challenge to the project I was determined to use only scrap fabric. Making this project helped me to think about the transition from a 2D design to a 3D product, a skill I am still working on.  

Working alone was okay.  I had fun, as always. So far, our projects have been individual rather than collaborations, but I definitely enjoy having the family all participating. It is more fun to create together or even side-by-side, than it is to create alone.

Brian, you’ve shown the audience at Delaware Fun A Day that you have an incredible talent in woodworking. Can you explain the process of how your woodworking is implemented into not only your everyday life, but also some of the projects and art you have created over the years?

My interest in woodworking stemmed from helping my father with practical DIY projects around the house and continuing into my work on my own house as an adult. Over the last 10 years or so it has grown into an interest in fine woodworking. This is still utilitarian, as I am mostly building furniture such as a dining room table and benches. However, it has been fun to incorporate it into art pieces when the opportunity arises.

The Cherry board piece incorporates a flashing LED circuit, based on a 555 timer IC, that is essentially the same as the circuits used in the “dead bugs” in my 2015 Fun a day project. I wanted the LEDs to be concealed until the button is pressed and the cherry board to look like a solid piece of wood. I made a frame of cherry and glued a sheet of cherry veneer over the face to hide the holes for the LEDs but still let the light through.

This type of interaction between practical skills and art comes up a lot for me. I don’t consider myself a fine artist but I enjoy using any skills I have creatively. As I mentioned, another area I like exploring is electronics, such as in my 2015 Fun a day project or my recent collaborations with Anne Yoncha (https://anneyoncha.com/)

As a family of well-seasoned Delaware Fun-A-Day participants, what is your collective advice for our newcomers? Is there any piece of advice that you all can agree would be a top priority for other families or groups?

Brian: Some advice we discussed: Be yourself and pick a project that is manageable to do every day, so it doesn’t start to feel like a chore.

 Kim: Just go for it.  There is value in planning and thinking things through, but at some point you have to just jump in and enjoy the ride.  There is no reaching perfection, but there is great value in the process.

What unique challenges do you think came up as a family participating in the same challenge? Do you think it was more or less difficult?

Brian: Generally we feel that it’s easier to participate as a family, since everyone can remind everyone else to keep working on the project and others provide more support to keep up when you don’t feel like working on it. However, it can feel intimidating sometimes as you are creating your art and you see the amazing things the others are making.

Brian, on a Facebook post you shared a few years ago, you were working on Voltron helmets for your children’s costumes. Since then, have you created any more cosplays for anyone in general? Any other television shows or movie influences that you’ve created in woodworking?

Brian: In terms of costumes, I have to give all the credit to my amazing mother Judy. She always sewed Halloween costumes for my brother, sister and me. Those costumes were amazing and most of them survive to this day, which certainly isn’t true of the plastic smock and facemask costumes most people wore in the 80s!

This tradition kind of set in my mind that of course we make our costumes. So Kim and I just continue to do that.

Kimberly, how important do you feel that exploration in the arts is to child development? Do you feel that the old adage “lead by example” has been a part of your experience with Fun-A-Day and having the younger Givens members participate?

Art is imperative to child development.  It is where we learn to express ourselves, learn to problem-solve, deal with frustrations, communicate what is important to us, and learn that it is good to take chances and learn from them no matter what the  outcome. As parents, we do try to lead by example, but we also learn from the example of our children. They are creative risk-takers and I am encouraged by their willingness to take on seemingly enormous tasks. Where I might have just seen the amount of work, time, and skill that a project would have taken and gone a different route, my kids will see the same project as a fun challenge and go on to accomplish it.  They lead, support, and inspire us, and I hope we are able to do the same for them.

 My parents were very creative.  They shared their love of art with the family.  My mom taught me to crochet, to bake making treats that were both delicious and visually interesting.  My dad has helped me to learn new skills and techniques with machine sewing as he quilts and creates himself.  He played the organ every Sunday when we were growing up, and instilled a love of music and self-expression through music in my sister and me.  We learned to love the theater as children, to appreciate gifts that were hand-made especially for us, and to enjoy the art of making things together as a family.  Those values have carried over into my adult life and I hope that they will continue in the lives of our children.

Katie, we believe that Delaware Fun-A-Day brings out the best in our community, but also the best in each other. What are some of the creative ways you encouraged one another?

  • Katie:Watching Jack work on his projects has been inspiring.

Where can people see more works by the Givens Family?

You can come see us at Delaware Fun-A-Day this year, and in years to come. You might also find us in the future at Christina School District Art Shows and the Newark Arts Alliance. 

Kim:  kickeriki.tumblr.com

Brian: @givens_made on Instagram

2020 Artist Interview - Amy Machado

Added on by Meredith S. K. Boas.

For our sixth interview of the 2020 Delaware Fun-A-Day, we talk to participant Amy Machado about photography, creating work that makes YOU happy, embroidery, and the practice of constantly learning. Thanks, Amy!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

We like to know how people are connected to Delaware Fun a Day -  are you a resident, born and raised? What opportunities have you found being in the exhibit?

I was born and raised in Delaware with a short stint in Maryland where I went to Cecil College to study photography. Being able to participate in Delaware Fun-a-Day has forced me out of a slump where I only picked up my camera when I was paid to be. It has made me fall in love with photography again and has inspired me to find other ways to express my creativity such as painting and embroidery.

You’re one of several dedicated Cecil County artists that we have join us each year, so tell me, who influenced you to participate in Delaware Fun-A-Day, and who in turn have you influenced to participate?

Although I do slightly remember hearing chatter around Delaware Fun-a-Day at Cecil College, it was my co-worker at Apple, Helen Ounjian, that has participated for the past 6 years and really encouraged me to give it a try. In turn I’ve encourage a few others to participate over the years and or invite them to opening night in hopes that they want to join next year.

This is going to be your THIRD year participating! Can you describe your favorite past Fun-A-Day project?

My favorite project so far was actually my first. I did a series of photos that where monochromatic bright colors. For example; a bright shiny red apple on a red background and yellow paint dripping off a paint brush against a yellow backdrop. The following year I did a series of paintings and this year a friend motivated me to give embroidery a try and I had the grand idea to really step out of my comfort zone and create embroidered jewelry. I hope that it works out as well as it has in my head.

Professionally you’re a photographer and you focus on weddings, engagements, and portraits, but are people in fact your favorite photographic subject? In 2017 your Fun-A-Day project used block color photography centered on various objects, not specifically people, and I’m curious if Fun-A-Day is an outlet to break from the typical type of photography you do?

As much as I do really enjoy portraits and weddings when I have equally fun and creative subjects, I adore photography that shows texture and that is colorful. Still life photography allows me slow down and carry out my vision. That series of photos from 2017 though, inspired me to shoot a series of bright monochromatic portraits.

Do you find that focusing on other people’s happy moments and events through your craft, in turn, keeps you in a mental or emotional bubble of happiness?

Yes and no. Yes, because I do feed off of the energy and emotions of those around me so, if I am shooting someone that is energetic and funny I will naturally try to push them in to fun poses to showcase that personality. Whereas, if I have someone that maybe isn’t very comfortable in front of a camera I will stick to more traditional poses and try to get them to talk and relax or just understand that they are happy with that alone.

No, because speaking as someone who personally struggles with infertility, taking maternity and newborn photos can feel heartbreaking. The last few years have been difficult to remain my happy self for my clients that are expecting or new parents. It’s not just a bit of jealousy of what they have as it is a reminder of the emotional and physical toll that fertility treatments has on myself and my husband. However, I do consider it a privilege to capture those special moments for those who have had the same struggles and it is those moments that encourages us to keep trying.

You actually met your husband through photography. Is it helpful having a partner that is interested in the same artistic medium as you? Is he able to give you suggestions about the direction of your artistry, or pull you out of a creative funk?

Joe is a very creative person and at times it can be intimidating how often he thinks about his craft. He wears many hats as a writer, podcaster, videographer, graphic designer and gamer. While he doesn’t take many photos these days, anytime he picks up a camera he jokes that he is the better photographer in the family. Its his constant motivation to keep his material fresh and to learn that pulls me out of any creative slump.

I found your 2020 New Year’s resolution to be particularly relatable. You stated that you’re looking for “opportunities to be more creative” and you want to finish your “color series and have an exhibit”. What great goals! What are some ways, other than participating in Fun-A-Day that you plan to motivate yourself this year? Are you looking for groups to join, or organizational tools, or exhibit spaces to explore?

Well, my first goal is to FINALLY finish the portrait color series. I have spent so much time thinking about the last few images I want to capture. Now that I have a plan and models, I just need to finish getting the makeup and props. As far as exhibit space, I have not yet began exploring my options but I am welcome to any and all suggestions! Outside of photography, I am really enjoying embroidery. I find it to be relaxing and something I can still do while relaxing and binge watching something on Netflix.

Fiber art has been a little under-represented at Fun-A-Day in years past, which is why it’s really exciting to see that your 2020 project is going to be "Embroidered Jewelry”. It’s a break from your photographic work. What has drawn you to this new medium?

One of my friends, Felicia, who I encouraged to join this year, began doing embroidery while she was out of work tending to her injured ankle and she completely fell in love with it. I had personally never tried it before and after seeing her posts on instagram I took her advice I began with some simple designs. I looked to etsy and Pinterest to find inspiration for any new pieces and few jewelry designs caught my eye.

Before I knew it I was buying all the supplies I needed to make necklaces, earrings and bracelets. This will be way of of my comfort zone and my husband thinks I am crazy for not sticking to photography but I think its nice to explore different creative outlets. Having just started I can tell you this will in no way replace my love for photography and it certainly doesn’t come natural but, I’m enjoying it for now.

As a former college educator, do you find that your time as an instructor bolstered or hampered your creativity? Sometimes when educators are so dedicated and focused on helping others that it can take away from their creative energy toward their own projects. Do you feel there’s any truth in that statement?

I think whether you are teaching photography or if you are a paid photographer it is extremely easy to treat it as just a job and that may sometimes cause you to not want to shoot, edit, or even talk about it when you are exhausted. For me weddings can be so physically and mentally draining that I often need the next day to rest and get a massage. I love weddings, I love the energy, but its hours of carrying a lot of equipment around your neck and shoulders while standing or kneeling for 8-13 hours. It is also an adrenaline rush because you must always be super aware of your surroundings because you do not want to miss a single thing. However, the reward of seeing the newly weds gush over their photos and albums makes it all worth it.

Teaching on the other hand always made me appreciate photography more. Most of my students at Cecil College were simply just taking my class to get their art credit and had no interest in pursuing photography any further. However, watching my students shamelessly lay on the ground in the middle of the campus to get the perfect shot or framing their exhibit piece with pride always made me extremely proud to be a teacher and a photographer.

What are the top 3 pieces of advice you would give to our new-comers?

  1. Have FUN!!!! Remember its FUN a day not STRESS a day! (I need to remember this myself from time to time)

  2. If you aren’t sure what to do stick with what you know and love.

  3. Get your friends to join in or help in some way, sometimes their input can be helpful if you are stuck.

Where can people see more of your work?

Anything else you’d like to share? 

I’m equally excited and terrified to try something new this year and I hope everyone enjoys it.

2020 Artist Interview - Adira Riben

Added on by Meredith S. K. Boas.

For our fifth interview of the 2020 Delaware Fun-A-Day, we talk to participant Adira Riben about creating with color, Jewish culture, the Holocaust, and uniting people of all faiths, nationalities and ethnicities. Thanks, Adira!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

We like to know how people are connected to Delaware Fun a Day -  are you a resident, born and raised? What opportunities have you found being in the exhibit?

Hi! I am from NJ (so not too far!). I came to Delaware in 2006-ish? to join AmeriCorps. It was a great experience. Yay, National Service! Anyway, in Delaware, I met many awesome people, including my (now) husband. Yay, Delaware!

The Fun-A-Day experience really helped me grow as an artist. That growth has led to opportunities to exhibit and sell my art.  That is something that for many years, I only dreamed of doing.

This is going to be your FOURTH year participating! Can you describe your favorite past Fun-A-Day project? 

Every year I’ve done something really different. Different media, different subject matter...I don’t have a favorite of my own.  When it comes to other artists, every year I am blown away by the creativity!

Many of your illustrative works play with subtle hints of color in skin tones that one might not immediately think of, such as greens, purples, and blues. How does bringing these colorful hues to the forefront emphasize your subject matter?

That’s cool that you noticed that! It’s something I’m still experimenting with so I’m not really sure yet.

I used to be the polar opposite when it came to using color in my work, and for me, it really did reflect the way I felt about life. In my art, I really struggled to use color. Almost all my work was gray - pencil or charcoal. Like a lot of people, I was really struggling with depression.  It got so bad that for a while I stopped making art completely.  Actually, I stopped doing a lot of things.  Anyway, thank goodness, I was able to get help. It took lots of help and support and plain old time to get better. Eventually,  I started to draw again. Just for myself at first. Color crept in slowly. I didn't feel confident using it, but I wanted to.  I had  started to see the world differently.  It's not like I suddenly saw the good in everyone and everything. There's a lot of evil in this world. A lot of hate, and cruelty.  But I accepted that even in this very imperfect there can still be beauty and hope.

Your 2019 Fun-A-Day “A Touch of Color”, seemed to morph over the course of the Maker’s Month. Your original project description was “drawing with sepia tone and adding a touch of color here or there”. Your final project ultimately came together as a collage of CD cases, on which was painted this beautiful central image of an unclothed woman of color who had her back to us and her arms in the air. She seems to be celebrating her body and embracing the earth. Tell us more about this project and some of the thoughts and feelings that went it this work. Who was your model?

So...I really struggled to focus that year. I knew I wanted to use CD cases again, because you can paint them and they are the 6” by 6” - the perfect size for Fun-A-Day! But, after I picked my theme, I realized I really love color, so my original concept went out the window. I was like, well what now? I kept trying different subjects. I thought maybe I’d do a bird a day, maybe a puppy a day, I almost did 28 grasshoppers. 

Finally, I was so far behind I just decided to do some figure drawing to not think about it. I use an on-line resource called Croquis Cafe. It’s a really great source for reference photos for figure drawing. I started to paint Keira Lailani, and I loved how she owns every pose. Her confidence is contagious, and I loved it. So she was my inspiration. She was the central figure in the piece and everything really evolved around her.  By the way, she’s actually a white lady and really pale with red hair, but like I said, I’m still experimenting with skin tones.

Please describe your 2020 project "We Are All Connected”. Will this be an exploration of cultural interconnectivity? Or possibly our connection as humans to nature and animals? 

It’s all about people.  

I was raised Jewish and from a young age we learn about the holocaust and hear the phrase, “never again.” It means that we need to be vigilant against injustice.  For me, I always interpreted that to not only apply to my own people. Years ago there was a flood of Hatian immigrants taking boats to Florida. These refugees would be turned away at the coast after risking their lives. I was maybe 12 or 13 at the time and I asked my Rabbi, why we as Jews were not helping them. Doesn’t g-d and our history teach us that? He told the class that they are coming for economic opportunity not freedom. It struck a cord of anger in me.  

That was over 20 years ago.  Finally, there is now a movement among the Jewish people called Never Again.  We are uniting as Jews to speak out against immigration policies that are cruel and inhumane. We are educating ourselves and others.   We are using our voices to pray aloud in protest, and risking arrest in order to block detention centers. We have formed coalitions with other organizations including Doctors for Camp Closure, CASA of Maryland, Movimiento Cosecha and Bend the Arc.  

So, my project is very personal in a sense, because after many years, I am rediscovering my Jewish identity. But obviously, it’s also about this movement uniting people of all faiths, nationalities and ethnicities.

The Jewish culture is so beautiful and unfortunately the last generation of Holocaust survivors (people who experienced the Holocaust first hand as children) are passing away. There has been a real push to capture their eye-witness accounts from that time before we are completely reliant upon history books for information. As an artist, particularly as a Jewish person, have you considered a project where you might shine a spotlight on this imminent reality?

Although I haven't considered that (I don't think of myself as skilled enough  as a portrait artist). There is a very amazing artist named David Kassan  who is doing just that.  He does amazing portraits in oil paint and shares the portraits and stories of survivors.  His website is https://www.davidkassan.com/

You seem to do a lot of portrait work. Do you use friends, family, co-workers? Sometimes artists seek out figure drawing or portrait classes. Have any classes or groups that you’re a part of?

I’m really shy to ask people to model for me, so I usually use reference photos that I’ve taken or from Croquis Cafe, though I have gone to portrait sessions at the Cecil County Arts Alliance.  But for my Fun-A-Day this year, I really want to do portraits of people I know, my neighbors, co-workers, friends. So, hopefully, I’ll get lots of practice asking.

Having illustrated all manner of objects, animals, seasons, etc., and having used all sorts of color... you don’t appear to have a set “go to” subject or preferred color scheme. So I’m curious, if you had to live inside of one season for a year, what season would it be? Why? And if you could use only one color in your art for a year, what would it be? And why?

I love drawing chickens. But I also like vultures, frogs and toads.  I like the colors and the poses. Also, it’s easier to fudge things than when I draw people. Like if I make the tail feathers too short, my model won’t be mad at me.

My favorite season, not surprisingly is fall. I love the changing colors of the leaves.  

 If I had to use only one color. Ugh! I would cheat and use lots of colors. Even if in the end I mixed all the colors so it looked like I only used brown (which happens to be my favorite color) I would cheat.

Do you see yourself more as a solo artist, working and creating in your own bubble? Or do you see yourself as a social artist, thriving off of human and animal interaction?

The making of art is very much a solo process for me, but my inspiration comes from my interactions with other people and the world in general.

Do you do any plein air painting or drawing? A lot of your work is so vibrant and alluring that I feel as though you must have been outside as you worked, and I’ve been transported there with you.

That’s so cool. I’ve done a little plein air drawing, but would love to do more. I often work from photos.

Where can people see more of your work?

I’m on Instagram @adirajennerart and I have a blog website where I list upcoming shows and events.

I also have shows coming up this summer, which I am very excited about.  In May and June my work will be up at Dover Library and then in August I have a show at the Cecil County Arts Alliance followed by a show at the Gallery at the Elkton Library.

Anything else you’d like to share? 

I’m super excited to see everyone’s work at the opening. I love this event. I'm sending a big "you can do it!" to all the artists, and a huge thank you to the volunteers and event organizers.

2020 Artist Interview - Helen Ounjian

Added on by Meredith S. K. Boas.

For our fourth interview of the 2020 Delaware Fun-A-Day, we talk to SIX TIME participant Helen Ounjian about powering through road blocks, the artistic spectrum, vegan ideas, and art prep before starting new projects. Thanks, Helen!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

We like to know how people are connected to Delaware Fun a Day -  are you a resident, born and raised? What opportunities have you found being in the exhibit?

I’ve lived in Delaware since I was 13… 

My brother and some friends participated in Fun-a-Day some years ago (when it was on Market Street) and I was so excited to do it the following year, I ambitiously took on a painting project. Fun-a-Day was a way to connect with the Delaware art community hang out with some artsy friends and see new techniques that I’d be curious to try and be so enthralled with the amazing work that people pour so much dedication, time, sweat, (and tears?) that I am inspired to keep up with my own works.

This is going to be your SIXTH year participating! Can you describe your favorite past Fun-A-Day project? 

My first Fun-a-Day project is probably my favorite: my theme was the “word of the day” as generated by a dictionary app. There were some pretty challenging words to paint such as withershins (a contrary direction) and meliorism (a doctrine that the world becomes better with human effort) but my favorites to illustrate were caprine (relating to goats) and flit (I painted a bee flitting from flower to flower). 

Folks come to Delaware Fun-A-Day for hundreds of reasons. Sometimes it’s to create and stockpile new work, launch a brand or idea, start a movement, build friendships, make more family time, and so on. So tell me, as a veteran Fun-A-Day participant, what’s been your biggest motivation over the years?

Fun-a-Day has been my motivation to do the art that I like doing, it’s something I look forward to do at the end of my day. I love picking a theme and exploring the variations of what that can be, or using a technique that I want to refine. I did two photo exhibits with Fun-a-Day and those motivated me to explore composition, one year was digital patterns/mandalas where I played with color schemes. I think having a project such as this helps me get into a creative mindset and to make time to do the art.

Your 2019 Fun-A-Day “Cardigans” was much loved by other participants because it was so easily relatable. You casually wore a different cardigan each day, took a picture of yourself, and shared those images at the exhibit. From an organizer stand-point your project has been used as a great example of simply having fun each day in a way that can speak to artists and non-artists alike. We’re always striving to emphasize that Fun-A-Day is not “just” for “artists”. Where do you see yourself on the spectrum of artist and non-artist? Do you think such a spectrum exists?

I think there is something about being an artist and continuously challenging yourself to do the work, to constantly create, constantly think about improving the work and the technique, there are definitely times when I, and other artists, will look at a work and know that it is always a work in progress because there is a wanting to perfect it. And there artist who creates for the love of it, to make something enjoyable, without motive. I think I fall somewhere in the middle of these two.

Please describe your 2020 project "Half" wherein you plan to draw “An illustration of half objects or phrases”. This makes me think of the Shel Silverstein story of “The Missing Piece”. Is there some self-reflection in this year’s project? Are you feeling a little less than whole?

That is a deep question!  :)

I picked this theme as a nod to things that still have a wholeness, even if they might be considered less than whole, being half of something still has value.

I noticed that you’re vegan, and you naturally have fun posting healthy and yummy looking recipes. Is there a possibility of seeing a future “Vegan Recipe A Day” or “Veggie A Day” project?

I think we just picked my theme for next year! I like both ideas: I could pick a vegetable to celebrate each day and a recipe to go with it.

Having been a vegan myself now for over two years, I’ve come to realize that some folks are a vegan and an artist, and some folks are vegan artists. Which do you see yourself as? Do you feel that your veganness has influenced the types of art tools and products that you use to make your art?

I’m a vegan and an artist. There’s definitely art in cooking and in finding healthy vegan alternatives to non-vegan foods but I have not delved too deep into being a vegan artist as far as cruelty-free art products. 

In 2018, you completed a small circular canvas each day. You also moved that month, and although you completed all 31 days, you stated it was a lot to juggle. Was that your most hectic participation year? And as a well-seasoned Delaware Fun-A-Day participant, is there any piece of advice that you believe would be a top priority for any new-comers?

2018 was a challenging year for my Fun-a-Day project. Luckily, I labeled all my art supply boxes well enough so I was able to put together a project while unpacking my life. That was probably my least favorite project, I feel like I didn’t spend the time I wanted to on each mini-canvas.

Where can people see more of your work?

Instagram… I’m not great at posting my work throughout the year… but I also paint at church. I have paintings hanging at The Barn Vineyard Church in Landenberg, PA.

Anything else you’d like to share? 

I am so grateful for the Fun-a-Day project and I look forward to all the hard work everyone - participants and organizers - do for this project every year. 

If this is your first year, power through the roadblocks, you will find your inspiration along the way. The Fun-A-Day project really is a community where we can share the best and worst experiences going through the project and encourage each other to keep up with the art - even beyond Maker’s Month. Dedicating time to do the Fun-a-Day project is so important, make sure you carve out the time everyday to work on your art. If you can build it into your routine, that helps too. I know the first couple days might be really easy at first, if you keep up the momentum through the month, you won’t even notice how fast the time flies, and you will have created 29 new works.

2020 Artist Interview - Diane Keesee

Added on by Meredith S. K. Boas.

For our third interview of the 2020 Delaware Fun-A-Day, we talk to nature lover and mixologist Diane Keesee about travel and nature as art inspirations, stepping outside of your comfort zone, and where to get a great cocktail! Thanks, Diane!

Be sure to check out our Instagram, Twitter, and Facebook for updates on the progress of our interviewees! And make sure you check your email (and this site) for important information on drop off, the event, and art pick up!

We like to know how people are connected to Delaware Fun a Day -  are you a resident, born and raised? What opportunities have you found being in the exhibit?

I am originally from Washington State, but my father worked for the DuPont Company during a time when families were transferred around the country every few years – we landed in Delaware twice and the second time stuck. I love the beauty and the history of this area; from the old dry stacked stone walls that line the fields along the Brandywine to the marshes and beaches in lower Delaware. While I currently live just across the line in Pennsylvania, I feel like the boundaries are pretty amorphous and I identify more with Delaware.

When I first heard about Fun a Day, I was working 50 to 60 hours a week in the hospitality industry and felt like I had no time for art. Fun a Day showed me that a few minutes were enough for a small piece and that was enough to sustain my creative needs. I love being able to meet the artists  and seeing all the wonderful work that is created as part of Fun a Day makes me realize how many amazingly talented artists are part of our community and how lucky we are to have this project to bring everyone together.

 This is going to be your FOURTH year participating! Can you describe your favorite past Fun-A-Day project? 

I think my favorite project was the last one, Coffee and a View (aka Where my Heart Lies). I love pastels and it gave me a chance to expand my knowledge of the medium while working on my drawing and “seeing” skills. Being in the Caribbean, one of my happy places, helped cement this project as a favorite.

We love the description you have on your Instagram @dtksilk, which states “Nature lover, gardener, artist, seeker of peace, beauty, and breathtaking views”. So tell us, how did you discover that nature was your happy place as an artist?

My parents always encouraged us to be outdoors as much as possible and took us to some pretty amazing places when we were young. My origins and family roots are in the Pacific Northwest and we didn’t have to go very far to find spectacular views. My favorite places were any location on Mount Rainier and tide pools along the shore of Puget Sound. Anytime I am upset, I have found that a walk in the woods will calm me and clear my head.

Over the years, your projects have been “Drawing A Day”, “Flower A Day”, and “Coffee & A view”. Each of these projects has a sense of serenity and peacefulness about them, so tell me, how has your enjoyment and comfort working on these projects increased with each year?

After the first year, A Drawing a Day, I tried to step out of my comfort zone and work in mediums I am not used to using, so I don’t think I would describe the process as comfortable. Enjoyable and gratifying – yes! I think everyone should challenge themselves, otherwise, how do we grow?

Please describe your 2020 project "Things that can hurt you". Has there been a recent pain that has entered your life and taken you in this direction?

“Things That Can Hurt You” started as a joke. I was working on a pastel of poison ivy for someone who gets it every time they work in the garden and in the process my morbid sense of curiosity led me to look up other toxic plants and then began thinking of common household items that put us at risk. Some of the items are pretty subtle, so it will be interesting to see how the viewer interprets what the threat might be. I just saw an ad for a book called “ABC Death.” It’s an alphabet book of animals that can kill you, especially if you make poor life choices. Maybe this is becoming a subconscious theme in today’s world.

Your first Fun-A-Day with us was in 2017, and your grand-daughter Lauren Wilson began participating with us in 2018. Do you think that seeing your work in the exhibit directly influenced her to participate in this event? And how have you inspired each other’s projects in the years since?

Lauren is a very talented artist and I am always in awe with each new piece she creates. She is in a great art program at school and I hope she is able to continue when she goes to college next year. I encouraged her to participate in 2018 and this year she texted me to tell me she had signed up and asked if I would do it too.  I can’t wait to see her project.

As a well-seasoned Delaware Fun-A-Day participant, what advice did you give your grand-daughter when she began participating? Is there any piece of advice that you believe would be a top priority for any new-comers to take a hold of?

Lauren’s first year was only my second, so I was still pretty new to Fun a Day and just encouraged her to join in the fun. Now, to any newcomers, I would say keep it simple, especially the first time and DON’T PROCRASTINATE!!!

Now for a non-art-related question! Tell us about your interests outside of nature and art making… you make fascinating posts about Wine, Whiskey, Cocktails, etc… are you an alcohol curator? A mixologist? Shed some light on this fun topic!

I started in hospitality as a bartender – just a second job for a little extra cash. I found I liked it a lot. Making cocktails, mixology, is like cooking – flavors blend and enhance each other to make something better than the individual elements. I enjoyed creating specialty cocktails for events and cocktail lists, and teaching mixology.  

As my hospitality career evolved towards the management side, the work/life balance got way out of kilter. Now I do promotional tastings on the weekends and have time for backpacking, gardening and ART!

I will be giving two lectures/tastings this year at Mount Cuba – the first is on gin (juniper is a native plant) and the second will be on infusing alcohol with native fruits and herbs.

Have you ever thought about pairing your art with different alcohols? For example, you may be interested in drawing the bottles, or using the color schemes from different labels, using the actual alcohol in your paints, etc. Have you thought of “pairing” the two?

I do use alcohol (though not the drinking kind) to “paint” with pastels. Alcohol spreads the pigment around and leaves more of the grit or tooth of the paper available for more layers. I also mix alcohol and water with dyes when I am “painting” on silk. Maybe one of my future Fun a Day projects will be dyed silk pieces.

Where can people see more of your work?

Right now, I have a pastel at Girard Craft and Cork in Wilmington. I am working on a website, but for now, my on-line presence is on Instagram and my dtksilk facebook page. I try to participate every year in the Rehoboth Art League Outdoor Show with my silk scarves and pillows and in February, will have two pastels in a group show at Gallery 222 in Malvern.

Anything else you’d like to share? 

Just that I am grateful for all of the work you do for Fun a Day so the rest of us have an outlet for our creative projects. I hope to be able to challenge myself and encourage others to stretch beyond their comfort zones.